Please use this identifier to cite or link to this item: http://doi.org/10.25358/openscience-5690
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dc.contributor.editorGünther, Christoph-
dc.contributor.editorPfeifer, Simone-
dc.date.accessioned2021-03-22T07:56:22Z-
dc.date.available2021-03-22T07:56:22Z-
dc.date.issued2020-
dc.identifier.urihttps://openscience.ub.uni-mainz.de/handle/20.500.12030/5696-
dc.description.abstractIn 12 case studies, this book examines the different ways in which Jihadi groups and their supporters use visualisation, sound production and aesthetic means to articulate their cause in online as well as offline contexts. Divided into four thematic sections, the chapters probe Jihadi appropriation of traditional and popular cultural expressions and show how, in turn, political activists appropriate extremist media to oppose and resist the propaganda. By conceptualising militant Islamist audiovisual productions as part of global media aesthetics and practices, the authors shed light on how religious actors, artists, civil society activists, global youth, political forces, security agencies and researchers engage with mediated manifestations of Jihadi ideology to deconstruct, reinforce, defy or oppose the messages.en_GB
dc.language.isoengde
dc.rightsCC-BY-NC-ND*
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subject.ddc200 Religionde_DE
dc.subject.ddc200 Religionen_GB
dc.subject.ddc290 Andere Religionende_DE
dc.subject.ddc290 Other and comparative religionsen_GB
dc.subject.ddc300 Sozialwissenschaftende_DE
dc.subject.ddc300 Social sciencesen_GB
dc.subject.ddc320 Politikde_DE
dc.subject.ddc320 Political scienceen_GB
dc.subject.ddc355 Militärde_DE
dc.subject.ddc355 Military scienceen_GB
dc.subject.ddc700 Künstede_DE
dc.subject.ddc700 The artsen_GB
dc.subject.ddc770 Fotografiede_DE
dc.subject.ddc770 Photography and photographsen_GB
dc.subject.ddc780 Musikde_DE
dc.subject.ddc780 Musicen_GB
dc.subject.ddc990 Geschichte der übrigen Weltde_DE
dc.subject.ddc990 General history of other areasen_GB
dc.titleJihadi audiovisuality and its entanglements : meanings, aesthetics, appropriationsen_GB
dc.typeSammelbandde
dc.identifier.doihttp://doi.org/10.25358/openscience-5690-
jgu.type.dinitypebooken_GB
jgu.type.versionPublished versionde
jgu.type.resourceTextde
jgu.description.extent328 Seitende
jgu.organisation.departmentFB 07 Geschichts- u. Kulturwissensch.de
jgu.organisation.number7930-
jgu.organisation.nameJohannes Gutenberg-Universität Mainz-
jgu.rights.accessrightsopenAccess-
jgu.publisher.year2020-
jgu.publisher.nameEdinburgh University Pressde
jgu.publisher.placeEdinburghde
jgu.publisher.urihttps://library.oapen.org/handle/20.500.12657/47099de
jgu.publisher.isbn978-1-4744-6753-7de
jgu.organisation.placeMainz-
jgu.subject.ddccode200de
jgu.subject.ddccode290de
jgu.subject.ddccode300de
jgu.subject.ddccode320de
jgu.subject.ddccode355de
jgu.subject.ddccode700de
jgu.subject.ddccode770de
jgu.subject.ddccode780de
jgu.subject.ddccode990de
Appears in collections:JGU-Publikationen

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