Please use this identifier to cite or link to this item: http://doi.org/10.25358/openscience-5690
Editors: Günther, Christoph
Pfeifer, Simone
Title: Jihadi audiovisuality and its entanglements : meanings, aesthetics, appropriations
Online publication date: 22-Mar-2021
Language: english
Abstract: In 12 case studies, this book examines the different ways in which Jihadi groups and their supporters use visualisation, sound production and aesthetic means to articulate their cause in online as well as offline contexts. Divided into four thematic sections, the chapters probe Jihadi appropriation of traditional and popular cultural expressions and show how, in turn, political activists appropriate extremist media to oppose and resist the propaganda. By conceptualising militant Islamist audiovisual productions as part of global media aesthetics and practices, the authors shed light on how religious actors, artists, civil society activists, global youth, political forces, security agencies and researchers engage with mediated manifestations of Jihadi ideology to deconstruct, reinforce, defy or oppose the messages.
DDC: 200 Religion
200 Religion
290 Andere Religionen
290 Other and comparative religions
300 Sozialwissenschaften
300 Social sciences
320 Politik
320 Political science
355 Militär
355 Military science
700 Künste
700 The arts
770 Fotografie
770 Photography and photographs
780 Musik
780 Music
990 Geschichte der übrigen Welt
990 General history of other areas
Institution: Johannes Gutenberg-Universität Mainz
Department: FB 07 Geschichts- u. Kulturwissensch.
Place: Mainz
DOI: http://doi.org/10.25358/openscience-5690
Version: Published version
Publication type: Sammelband
License: CC-BY-NC-ND
Information on rights of use: https://creativecommons.org/licenses/by-nc-nd/4.0/
Extent: 328 Seiten
Publisher: Edinburgh University Press
Publisher place: Edinburgh
Issue date: 2020
ISBN: 978-1-4744-6753-7
Publisher's URL: https://library.oapen.org/handle/20.500.12657/47099
Appears in collections:JGU-Publikationen

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