Please use this identifier to cite or link to this item: http://doi.org/10.25358/openscience-6799
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dc.contributor.authorDick, Alexandra-
dc.contributor.authorGünther, Christoph-
dc.contributor.authorPfeifer, Simone-
dc.contributor.otherHartmann, Eva-
dc.contributor.otherEvans, Jenny-
dc.contributor.otherAlkatreeb, Majd-
dc.date.accessioned2022-03-16T11:19:07Z-
dc.date.available2022-03-16T11:19:07Z-
dc.date.issued2022-
dc.identifier.urihttps://openscience.ub.uni-mainz.de/handle/20.500.12030/6810-
dc.description.abstractSound production has been crucial to the self-presentation strategy of the so-called Islamic State that we refer to in our video by its Arabic acronym DAESH. A cappella chants (anāshīd) often sonically enhance DAESH’s highly polished videos and have been widely disseminated on social media platforms. Anāshīd reach out to a wide audience in a variety of languages, but rarely gain the attention their popularity requires. DAESH’s videos and statements mark their singers as heroic figures, showing them with rifles, the black flag, and microphones. However, it remains difficult to see beyond this imposing staging to learn more about the composition and production of the crafted sounds and the individual men and, to some extent, women behind them. This academic video essay draws attention to the often-neglected dimension of sound among DAESH. It probes what is known about the singers and the production process of anāshīd and presents new perspectives on the potential of DAESH’s media campaign to touch through sound and poetry.en_GB
dc.language.isoengde
dc.rightsCC BY-ND*
dc.rights.urihttps://creativecommons.org/licenses/by-nd/4.0/*
dc.subject.ddc200 Religionde_DE
dc.subject.ddc200 Religionen_GB
dc.subject.ddc290 Andere Religionende_DE
dc.subject.ddc290 Other and comparative religionsen_GB
dc.subject.ddc300 Sozialwissenschaftende_DE
dc.subject.ddc300 Social sciencesen_GB
dc.subject.ddc400 Sprachede_DE
dc.subject.ddc400 Languageen_GB
dc.subject.ddc490 Andere Sprachende_DE
dc.subject.ddc490 Other languagesen_GB
dc.subject.ddc770 Fotografiede_DE
dc.subject.ddc770 Photography and photographsen_GB
dc.subject.ddc780 Musikde_DE
dc.subject.ddc780 Musicen_GB
dc.titleSounding Out DAESHen_GB
dc.typeFilmde
dc.identifier.doihttp://doi.org/10.25358/openscience-6799-
jgu.type.dinitypereporten_GB
jgu.type.versionOriginal workde
jgu.type.resourceMovingImagede
jgu.description.extent8:15 minde
jgu.organisation.departmentFB 07 Geschichts- u. Kulturwissensch.de
jgu.organisation.number7930-
jgu.organisation.nameJohannes Gutenberg-Universität Mainz-
jgu.rights.accessrightsopenAccess-
jgu.organisation.placeMainz-
jgu.subject.ddccode200de
jgu.subject.ddccode290de
jgu.subject.ddccode300de
jgu.subject.ddccode400de
jgu.subject.ddccode490de
jgu.subject.ddccode770de
jgu.subject.ddccode780de
jgu.organisation.rorhttps://ror.org/023b0x485-
Appears in collections:JGU-Forschungsdaten

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