Please use this identifier to cite or link to this item:
http://doi.org/10.25358/openscience-6368
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Schimanski, Richard | - |
dc.date.accessioned | 2021-09-29T12:11:28Z | - |
dc.date.available | 2021-09-29T12:11:28Z | - |
dc.date.issued | 2021 | - |
dc.identifier.uri | https://openscience.ub.uni-mainz.de/handle/20.500.12030/6378 | - |
dc.language.iso | ger | de |
dc.rights | InCopyright | * |
dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | * |
dc.subject.ddc | 700 Künste | de_DE |
dc.subject.ddc | 700 The arts | en_GB |
dc.subject.ddc | 750 Malerei | de_DE |
dc.subject.ddc | 750 Painting and paintings | en_GB |
dc.subject.ddc | 791 Öffentliche Darbietungen | de_DE |
dc.subject.ddc | 791 Public performances | en_GB |
dc.title | Gleichgültig Sehen in Malerei und Film. Studien zu Bildwerken Giorgio Morandis und Michelangelo Antonionis | de_DE |
dc.type | Dissertation | de |
dc.identifier.urn | urn:nbn:de:hebis:77-openscience-9871a67b-02c6-4f53-be79-d11f862da1be9 | - |
dc.identifier.doi | http://doi.org/10.25358/openscience-6368 | - |
jgu.type.dinitype | doctoralThesis | en_GB |
jgu.type.version | Original work | de |
jgu.type.resource | Text | de |
jgu.date.accepted | 2020-11-13 | - |
jgu.description.extent | 396 Seiten, Illustrationen | de |
jgu.organisation.department | FB 07 Geschichts- u. Kulturwissensch. | de |
jgu.organisation.number | 7930 | - |
jgu.organisation.name | Johannes Gutenberg-Universität Mainz | - |
jgu.rights.accessrights | openAccess | - |
jgu.organisation.place | Mainz | - |
jgu.subject.ddccode | 700 | de |
jgu.subject.ddccode | 750 | de |
jgu.subject.ddccode | 791 | de |
jgu.organisation.ror | https://ror.org/023b0x485 | |
Appears in collections: | JGU-Publikationen |
Files in This Item:
File | Description | Size | Format | ||
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schimanski_richard-gleichgültig_s-20210923123332900.pdf | 123.69 MB | Adobe PDF | View/Open |